On the album, BBNG consistently lay down great beats and Ghostface, as well as the other guest rappers, have satisfying performances. Overall, Sour Soul is a successful collaboration album, even if it is rather brief. The record clocks in at about 34 minutes and could have used more substance to help this effort feel like a complete project. BBNG’s solos on their previous albums are impressive and could have been used on Sour Soul. The interludes on the album, like “Stark’s Reality,” are solid for what they are, but could use some improvisation to spice them up. The reverb on the guitar, the crisp sound of the drums, and the occasional string sections are all on point and well played.Īs far as flaws go on Sour Soul, the run time is pretty short and has some bland moments. The mood BBNG sets with their instrumentals sounds awesome behind Ghostface’s verses. The beats and production that BBNG provide on Sour Soul are exceptional. This track has fantastic verses from Ghostface and DOOM and is backed by equally great instrumentation by BBNG. “Gunshowers” showcases skillful rapping from Ghostface and featured rapper Elzhi with lines like “My vocab is powerful, spit *** subliminal / Slang therapist, my whole style is criminal” and “As I palm another phenomenon rhyme thesis / Because on the contrary, I get it popping like Dom Perignon beyond / Tom, Harry and Dick / You can declare me sick.” The action packed “Ray Gun,” the ninth song on Sour Soul, is another highlight. The track following “Six Degrees” is also terrific. BBNG lays down an incredible beat that features a guitar riff that seems to creep and crawl all over the track and this instrumental is accompanied by good verses from both Ghostface and the guest rap artist Danny Brown. The third song on Sour Soul, “Six Degrees,” is arguably the album’s best song. The lyrical content on the title track is also solid with Ghostface rapping about governmental corruption and depicting himself as a twisted and mysterious figure. When Ghostface makes his appearance on the microphone, he oozes that New York City confidence and swagger many hip-hop heads know him for. Sour Soul opens with the one minute intro “Mono” and the title track, “Sour Soul.” These songs immediately set a smoky and laid back, but slightly dark atmosphere, a quality that resonates in much of BBNG’s discography. Sour Soul shows the beginning of a strong musical relationship between BBNG and Ghostface with an excellent debut. Although the Wu-Tang Clan’s activity has drastically slowed down since the early 2000’s, Ghostface has been enjoying a fruitful solo career and has released two albums in the past two years. Ghostface is well known for his involvement in the legendary Wu-Tang Clan rap collective. This year, they combine with famed Staten Island rapper Ghostface Killah. BBNG’s last album, III, saw the band produce all original compositions which was a welcomed change of pace for the group. Their earlier albums, such as BBNG and BBNG2, would take popular hip-hop instrumentals and convert them into creative jazz interpretations. BADBADNOTGOOD have been turning heads over the past few years for their tasteful mix of hip-hop and jazz.
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